Peter Morris and Andrew McIntosh
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| Kay Armatage
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| Kay Armatage is a Professor at the University of Toronto, cross-appointed to Cinema Studies, Innis College and the Women and Gender Studies Institute. She is the author of The Girl from God's Country: Nell Shipman and the Silent Cinema (2003), co-editor of Gendering the Nation: Canadian Women's Cinema (1999) and editor of Equity and How to Get It (1999). She has produced and/or directed documentary and experimental narrative films including Jill Johnston (1977), Speak Body (1979) and Artist on Fire: The Work of Joyce Wieland (1987) and was an international programmer at the Toronto International Film Festival from 1983-2004. |
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| Kass Banning
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| Kathleen Banning teaches cinema studies at the University of Toronto. She is a co-editor of Gendering the Nation: Canadian Women's Cinema. (University of Toronto Press, 1999). Banning has written extensively on Canadian and diasporic cinemas and is currently working on a book on configurations of race and nation in minoritarian Canadian film. |
Atom Egoyan
Clement Virgo
Zacharias Kunuk
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| Pamela Cuthbert
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| Pamela Cuthbert is a writer and editor based in Toronto. Her work has been published in many periodicals including the Economist, Globe and Mail, National Post and the International Herald Tribune's Italy Daily. |
Cordell Barker
Wendy Tilby
Richard Condie
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| Liz Czach
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| Liz Czach is Assistant Professor in the Department of English and Film Studies at the University of Alberta. From 1995 to 2005, she was a programmer of Canadian film at the Toronto International Film Festival. She has published articles on film festivals and home movies in The Moving Image and Take One. |
Its All Gone Pete Tong
Saint Ralph
ScaredSacred
Is the Crown at War with Us?
Sight Under Construction
When Ponds Freeze Over
Neuvaine, La
Horloge biologique
Simple Curve, A
Childstar
La Moiti้ gauche du frigo
N๔
John Greyson
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| Stacey Donen
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The True Meaning of Pictures: Shelby Lee Adams' Appalachia
I Shout Love
Peau blanche, La
Familia
C.R.A.Z.Y.
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| Kathryn Elder
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| Kathryn Elder is the film and video librarian at York University Libraries and editor of The Films of Joyce Wieland (Cinematheque Ontario, 1999) and The Films of Jack Chambers (Cinematheque Ontario, 2002). |
Jack Chambers
Joyce Wieland
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| Sean Farnel
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Sean Farnel is Director of Programming for Hot Docs Canadian International Documentary Festival. Hot Docs is North Americas largest documentary film festival, co-financing forum and market. Sean was appointed to this newly created position in November 2005, following six years as a programmer for the Toronto International Film Festival Group.
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Naked Lunch
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| Seth Feldman
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| Seth Feldman teaches in the department of film and video at York University, where he holds the honorific title of university professor. He is the writer/presenter of 23 documentaries for the CBC program IDEAS and was the curator of the Allan King retrospective at the 2002 Toronto International Film Festivalฎ. |
Allan King
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| Alicia Fletcher
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| Chris Gehman
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| Chris Gehman is a Toronto-based independent filmmaker and a film and video programmer. He is currently the artistic director of the Images Festival, and previously worked as a programmer and editor at Cinematheque Ontario. His writing has appeared in Millennium Film Journal, Cinema Scope, Broken Pencil, Take One and other periodicals. |
passing through/torn formations
Like a Dream That Vanishes
Moose Jaw: There's a Future in Our Past
Richard Fung
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| Marc Glassman
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| Marc Glassman is a Toronto arts journalist, film programmer, and editor of several books on Canadian film. He is also the proprietor of Pages Bookstore and recently became editor of Montage magazine, published by the Director's Guild of Canada. |
Alanis Obomsawin
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| Steve Gravestock
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Steve Gravestock is Associate Director, Canadian Programming, at the Toronto International Film Festival Group. He is a contributing editor for Cinema Scope and was a frequent contributor to Take One and Festival Magazine. He has written extensively about Canadian and international cinema and is the author of Don Owen: Notes on a Filmmaker and His Culture. |
Crash
Cowboy and Indian
I, Claudia
Gallery: A View of Time
Snow in Venice
Toronto Jazz
Runner
Turnabout
Life and Hard Times of Guy Terrifico, The
Ladies and Gentlemen... Mr. Leonard Cohen
Shake Hands with the Devil: The Journey of Rom้o Dallaire
Unfinished Business
You Don't Back Down
Partners
High Steel
Notes for a Film About Donna & Gail
Richler of St. Urbain Street
Man Feel Pain
Deepa Mehta
Ron Mann
Jean Pierre Lefebvre
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| Piers Handling
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| Piers Handling has been Festival Director at the Toronto International Film Festivalฎ since 1994, and was responsible for co-founding the Festival's Perspective Canada program. Handling has organized numerous programmes including major retrospectives of Canadian, Latin American, Italian and Hungarian cinema. He has written extensively on Canadian cinema and has been published in numerous film journals. |
Earth
Michael Rubbo
Gilles Carle
Jean Pierre Lefebvre
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| Peter Harcourt
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| Peter Harcourt is a writer, teacher and programmer who lives in Ottawa. He is the author of Six European Directors (Penguin, 1974), Movies & Mythologies (Canadian Broadcasting Corporation, 1977) and A Canadian Journey: Conversations with Time (Oberon, 1994). |
willing voyeur, the
Richard Hancox
Philip Hoffman
Micheline Lanct๔t
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| George Kaltsounakis
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George Kaltsounakis edits Cinematheque Ontario's programme guide and recently curated retrospectives on the Vietnam War, Ken Loach and Charles Burnett at the Cinematheque.
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Norman Jewison
Peter Mettler
Jeremy Podeswa
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| Allan King
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| Allan King is an internationally acclaimed Canadian filmmaker who helped pioneer the cin้ma v้rit้ documentary style. King was born and raised in Vancouver, British Columbia. An advocate of filmmakers' rights, he was a member of the Council of Canadian Filmmakers in the seventies and a former president of the Director's Guild of Canada. His films have won many awards and retrospectives of his work have been shown in London, Rome, Montr้al, and Toronto. |
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| Kate Lawrie
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| Kate Lawrie is Editorial Manager at the Toronto International Film Group. She is currently completing her Ph.D. in the Department of Film, Television and Digital Media at UCLA. |
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| Andr้ Loiselle
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Andr้ Loiselle Ph.D. is Director of the School of Canadian Studies at Carleton University, where he also teaches Film Studies. He has published books on the films of Denys Arcand (1995), Anne Claire Poirier's Mourir เ Tue-T๊te (2000) and feature film adaptations of Canadian and Quebec drama (2003). His most recent book, Cinema as History: Michel Brault and Modern Quebec, was published by the Toronto International Film Festival Group in 2007.
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Anne Claire Poirier
Gilles Groulx
L้a Pool
Francis Mankiewicz
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| Kyo Maclear
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| Kyo Maclear is an independent writer and editor based in Toronto. Her work has been published in several art and culture magazines, including Toronto Life, Brick, Mix, Fuse and This Magazine. |
Sea in the Blood
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| Jason McBride
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| Jason McBride is a Toronto-based filmmaker and freelance writer. His writing on film has appeared in the National Post, Take One, Cinema Scope and Toronto Life. |
Mike Hoolboom
Guy Maddin
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| Andrew McIntosh
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| An independent writer and programmer, Andrew McIntosh holds a B.A. in Canadian history and an M.A. in film and media studies. He is a frequent contributor to Festival Magazine and POV Magazine and has worked for the National Film Board, the Toronto International Film Festival Group and numerous Toronto-based film festivals. |
Blue Skies
Black Christmas
eXistenZ
Aspiration
Bollywood/Hollywood
Elles ้taient cinq
Buster Keaton Rides Again
Inertia
ยme noire Black Soul
Blackfly
Evelyn: The Cutest Evil Dead Girl
Requiem pour un beau sans-coeur
The Stone of Folly
Porky's
Wilby Wonderful
The Outside Chance of Maximillian Glick
Reconstruction
This Hour Has Seven Days
Flux
Moccasin Flats
Strange Invaders
Men with Brooms
I Shout Love
Where the Truth Lies
Life and Hard Times of Guy Terrifico, The
Neuvaine, La
Simple Curve, A
Cariboo Country
History of Violence, A
Fire
Earth
Water
Animal Movie, The
World Stopped Watching, The
FILM(dzama)
Familia
C.R.A.Z.Y.
Chapeau, Le
Big Girl
Cube
Spider
D้charge
Better Than Chocolate
Metadata
Frank's Cock
Document
Le Paysagiste/Mindscape
Street Musique
Letters from Home
What Remains of Us
Quest for Fire
V for Victory
Walking
Metamorphosis
Ryan
Nails
Seeing Canada
Ted Kotcheff
Michael Spencer
Maury Chaykin
Denis Villeneuve
Marie-Jos้e Croze
Bruce Greenwood
Molly Parker
John Spotton
Jackie Burroughs
George Bloomfield
Lionel Chetwynd
Pascale Bussi่res
Gratien G้linas
Daniel Petrie
Michael Dowse
Christopher Hinton
Sarah Polley
Al Razutis
Vic Sarin
Wiebke Von Carolsfeld
Christopher Chapman
Pierre Lamy
Laura Sky
Paul Jay
Sheila McCarthy
Fran็ois Pr้vost
Nettie Wild
Ryan Larkin
Maurice Bulbulian
Frank C. Badgley
Ted Allan
Rudy Buttignol
Ghyslaine C๔t้
Andrea Dorfman
Chris Abraham
F.R. Crawley
Bernard Devlin
Don Arioli
Hugo Latulippe
Peter Lynch
Elias Koteas
Mark Irwin
Chris Landreth
Gordon Pinsent
Colm Feore
Graham Greene
Donald Sutherland
Camelia Frieberg
Andr้ Lamy
Gabriel Arcand
Julian Biggs
Manon Briand
Roman Kroitor
Bruce LaBruce
Lewis Furey
Bob Clark
Daniel MacIvor
Michael McGowan
Callum Keith Rennie
Peter Raymont
Paul Gross
Rebecca Jenkins
Jim Allodi
Michael Mabbot
Aubrey Nealon
Louise Archambault
Ricardo Trogi
Hubert Aquin
Atom Egoyan
Jean-Marc Vall้e
Marcel Sabourin
Daniel Roby
Bernard ษmond
Arsin้e Khanjian
Henry Czerny
Caroline Leaf
Roger Lemelin
Boyce Richardson
Margot Kidder
Christopher Plummer
Robert Morin
Patricia Gruben
John Kemeny
Peter Pearson
David Verrall
Zale R. Dalen
Lothaire Bluteau
Garth H. Drabinsky
Guy L. Cot้
Terence Macartney-Filgate
Patrick Watson
Jacques Bobet
Velcrow Ripper
Vincenzo Natali
Sturla Gunnarsson
Carole Laure
John Weldon
L้o-Ernest Ouimet
Morley Markson
Grant McLean
Sydney Newman
Guy Roberge
Sylvia Spring
James Beveridge
Al Sens
Andrew and George Holland
Helen Shaver
Louis Applebaum
John Fawcett
Harvey Hart
Keith Behrman
George Kaczender
George Dunning
Alexandra Raff้
Tantoo Cardinal
Genevi่ve Bujold
Judith Crawley
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| Tom McSorley
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| Tom McSorley is executive director of the Canadian Film Institute (a division of Cinematheque Canada). He also teaches Canadian cinema at Carleton University and is a contributing editor at Take One magazine. McSorley is also a freelance film and theatre critic for CBC Radio One. |
William D. MacGillivray
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| Peter Morris
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| Peter Morris is Professor Emeritus of the Department of Film & Video at York University. Prior to that he taught film studies at Queen's University. He has written numerous articles and books on film, including Embattled Shadows: A History of Canadian Cinema 1885-1939 (McGill-Queen's University Press, 1992), The Film Companion (Irwin, 1984), and David Cronenberg: A Delicate Balance (ECW Press, 1993). |
Case of Charlie Gordon, The
God's Crucible
Dans nos for๊ts
Petits Arpents, Les
Passe-Partout
Cameron of the Royal Mounted
Alexis Ladouceur, M้tis
R้f้rendum
Temiscaming Quebec
An Unselfish Love
The Song that Reached His Heart
Whispering City/La Fortress
Au pays de Neufve-France
Homme aux oiseaux, L'
This Hour Has Seven Days
Musician in the Family, A
En tant que femmes
Golden Gloves
Challenge for Change
Canada Carries On
Eye Witness
Boy Who Stopped Niagara, The
Br๛l้s, Les
Labour in Canada
Temps pr้sent
By Their Own Strength
Convicted
Drug Addict
En pays neufs
R.C.M.P. File 1365 The Connors Case
World in Action, The
Glengarry School Days
The Great Shadow
Hiawatha, The Messiah of the Ojibway
ภ la crois้e des chemins
Panoramique
Perspective
Back-Breaking Leaf, The
Montr้al Blues
Open Grave, The
Trouble f๊te
Faces of Canada
Coal Face, Canada
Drying Up the Streets
On the Spot
Gina
Eurynome
The Grievance
His Destiny
Jeunesse Ann้e O.
On a raison de se r้volter
Deux femmes en or
Hiver bleu, L'
Il ้tait une fois dans l'est
The Man from Glengarry
Opera School
Document
Our Northern Neighbour
The People Between
A Place to Stand
Richesse des autres
The Rising Tide
Servants du bon dieu, Les
Le Soleil a pas d'chance
This Generation: A Prairie Romance
Ti-cul Tougas
Le Grand Film ordinaire ou Jeanne d'Arc n'est pas morte, se porte bien, et vit au Qu้bec
It's a Crime
Lest We Forget
Monkeys in the Attic A Film of Exploding Dreams
The Most
Sailors of the Guard
Secrets of Chinatown
The Tar Sands
Tu br๛les
tu br๛les ...
Women Are Warriors
World in a Marsh
Rose's House
Bye Baby Bunting
The Seven Hundred Million
War for Men's Minds, The
Wives Tale/Une histoire de femmes, A
Zikkaron
Seeing Canada
Mental Mechanisms
Jean Dansereau
Stanley R. Jackson
David Bairstow
Laura Sky
Maurice Bulbulian
Frank C. Badgley
Bernard Devlin
Don Arioli
Marcel Carri่re
Ren้ Bail
Ron Alexander
Donald Shebib
Guy Borremans
Julian Roffman
Ernest Shipman
Kenneth J. Bishop
Claude Fournier
Boyce Richardson
Pierre Patry
Don Haldane
L้o-Ernest Ouimet
Morley Markson
Grant McLean
Fernand Dansereau
Al Sens
Andrew and George Holland
Bernard Longpr้
Beryl Fox
Louis Applebaum
Bernard Gosselin
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| Mark Peranson
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| Mark Peranson is editor and publisher of Cinema Scope magazine and a programmer for the Vancouver International Film Festival. He is a frequent contributor to The Village Voice and the Globe and Mail. |
Tales from the Gimli Hospital
Bruce Sweeney
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| Christine Ramsay
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| Christine Ramsay teaches Canadian cinema at the University of Regina. She has published articles on directors David Cronenberg, John Greyson, Jean-Claude Lauzon, Don Shebib and David Wellington. She is currently at work on a book on masculinity, affect and death in Canadian cinema, and is beginning research on documentary filmmaker Evelyn Spice Cherry. |
David Cronenberg
Evelyn Cherry
Mina Shum
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| Theresa Rowat
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| Theresa Rowat is an archivist and heritage policy-analyst based in Toronto. She specializes in audio-visual heritage issues and collections management. Currently, she is consulting archivist for the Film Reference Library, the Spiess Archive at William F. White Ltd. and is active in dance heritage advocacy. |
Don McKellar
Bruce McDonald
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| Agata Smoluch Del Sorbo
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Agata Smoluch Del Sorbo is a Canadian short film programmer for the Toronto International Film Festival Group, and has been an international Programming Consultant for the Toronto International Film Festival since 2005. She holds an M.A. in Film Studies from York University, with a specialization in Canadian cinema and feminist filmmaking, and an honours B.A. in Film and English Literature from University of Western Ontario. Smoluch Del Sorbo has written on cinema for a number of publications and has been a guest lecturer in cinema at the University of Genova in Italy. |
Working Mothers Series
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| Tammy Stone
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Tammy Stone is Manager of Programming at Film Circuit, a division of the Toronto International Film Festival Group. She is currently completing her doctorate on Canadian direct cinema at York University. |
Jean-Claude Lauzon
Thom Fitzgerald
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| Bart Testa
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| Bart Testa teaches cinema studies at the University of Toronto. He is the author of Spirit in the Landscape (Art Gallery of Ontario, 1989) and Back and Forth: Early Cinema and the Avant-Garde (Art Gallery of Ontario, 1992), and edited Pier Paolo Pasolini: Contemporary Perspectives (University of Toronto Press, 1994). His writings on Canadian film include a recent essay on Arcand's Decline of the American Empire in Canada's Best Features: Critical Essays on 15 Canadian Films (edited by Gene Walz, Rodopi, 2002). |
Book of All the Dead, The
Richard Kerr
Barbara Sternberg
Bruce Elder
Michael Snow
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| Pierre V้ronneau
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| Pierre V้ronneau is an established historian of Canadian film, and is curator of Quebec and Canadian cinema, and the film-related collection at the Cin้math่que qu้b้coise in Montr้al. He is also a professor of cinema at Concordia University and the Universit้ de Montr้al. He recently published David Cronenberg: la beaut้ du chaos (Cerf-Corlet, 2003). V้ronneau's articles have appeared in many books and reviews, including Moving Image, Film History, 1895, Cin้mas, Canadian Journal of Film Studies, Revue d'histoire de l'Am้rique fran็aise, and others. |
Pierre Perrault
Michel Brault
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| Jerry White
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| Jerry White is Assistant Professor of Film Studies at the University of Alberta, where he is also President of the Canadian Association for Irish Studies. He has published widely on Canadian cinema including, as co-editor, North of Everything: English-Canadian Cinema Since 1980 (University of Alberta Press, 2002), and as editor, The Cinema of Canada (Wallflower Press, 2006). |
Eastern Avenue
Lancalot Freely
Tectonic Plates
Top of His Head, The
Balifilm
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| Andrea Whyte
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| Wyndham Wise
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| Wyndham Wise is the publisher and editor-in-chief of Take One and editor of Take One's Essential Guide to Canadian Film, (University of Toronto Press, 2001). |
Robert Lantos
Ivan Reitman
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Contact 